six-word story
The predictable morphed into the unexpected.
unnamed and not revised and barely coherent ten-minute poem
if i hang fire for the unexpected does that trigger me predictable? or a misfire rejected? neglected. or AKA a gunslinger with an AK-47? that's how I'd spend my seven minutes in heaven lingering and fingering this weapon of mass destruction does that trigger me predictable because Colt 45s are my cult, my principles? while i hang fire for the unexpected.
the morning hues state fair cotton candy blue and pink
and stops me and my Vans in my tracks
makes me blink hard and think
how can the world be so painfully pretty
i riffle through my rusty locker at school
while staring at the brunette with the sharp Cara Delevingne eyebrows and cheekbones
who sparkles glossy cool versus me, a murky cesspool
and i wonder what it's like to be so painfully pretty
i skip English class and beeline to the bathroom
because iambic pentameter and two star-crossed lovers
would only weight sighs to my gloom and we both know they die anyway in the tomb
i just can't stomach poetry that painfully pretty
i size myself up in the cracked mirror
wiping away the tears, i fall in and disappear
because everything but me is painfully pretty
Some classroom snapshots that demonstrate why I love and hate teaching middle schoolers, who I refer to with equal parts affection and exasperation as goofbuckets:
Goofbucket #1: If I have a red-headed baby can I just throw it out the window? [Having temporarily forgotten that he sits next to a blatantly ginger (sweet sweet sweet) girl.]
Ginger-Haired-Shoulder-Partner Goofbucket: [Shoots him with an eat-poo-and-die look that I thought she was incapable of making.]
Me: There’s a word for that: defenestrate. And no. And I’m pretty sure you just hurt Ginger-Haired-Shoulder-Partner Goofbucket’s feelings.
Goofbucket #2: Hand sanitizer low-key tastes good.
*****In my school district, students have to wear uniforms. And. It’s. A. Battle. Every. Single. Day. To. Get. Middle. Schoolers. To. Follow. The. Policy. (Do I agree with public school uniform policy? No. But I enforce it because it’s part of my job.)
We always have a few who try to get away with not wearing uniform shirts by just wearing a school-approved sweatshirt or hoodie instead with whatever t-shirt underneath.
Well, a couple of weeks ago, one of my students rolled into first block wearing a black hoodie, which they’re not allowed to wear. *****
Me: [Stopping him at the door.] Hey, you know you can’t wear black hoodies in the classroom. I’m just going to need you to take it off.
Goofbucket #3: I can’t.
Me: Why not?
Goofbucket #3: I don’t have a shirt on.
Me: [Startled.] You don’t have on any shirt underneath your hoodie????
Goofbucket #3: No, ma’am.
Me: [Aghast.] Who wears a hoodie without wearing ANY shirt underneath it?????
Goofbucket #3: [Hangs head in shame.]
Me: Go downstairs and get a shirt from ISSP.
[Goofbucket #3 comes back 15 minutes later wearing a very wrinkly school-approved anorak that’s a tad too small. His midriff is visible when he raises his arms slightly.]
Me: What are you wearing????
Goofbucket #3: Coach was out of uniform shirts so he sent me to the locker room to find something to wear. All I could find was this jacket.
Me: So you just took some random jacket????
[Both of us hang our heads in defeat.]
(Sidebar: A few years ago, a similar situation transpired, but it was with a girl, and she couldn’t take her sweatshirt off because she wasn’t wearing a bra. Like, I get you girl, #freethetatas all the way, and whew, you’re brave, but you can’t do that here!!!)
*****I’m not quite sure how we arrived at this conversation, but this transpired during my advisory.*****
Me: Teaching is like performing, and y’all are my audience.
Confused Goofbucket: We’re your audience?
Me: Yeah, and if this were back in Shakespeare’s day and I were performing on stage at the Globe Theater and the audience didn’t like my performance, what would the audience have thrown at me? You should be far enough into your Shakespeare WebQuest to answer that.
Goofbucket #5: BEER!!!!!!!
[The whole room gets silent.]
Me: [Deadpans.] Wrong answer. Also, you better believe that I’m telling your mother you said that.
Goofbucket #5: [Cowers in fear.]
Me: [Behind a hardened stare, delights in his fright. Takes a silent curtain call.]
*****In the middle of class, I watched a student, Goofbucket #1 who’ve you already met, drink water through his mask. (I honestly think he forgot he was wearing one.)*****
Me: [Stops going over intro to Romeo and Juliet slides.] Did you just drink water through your mask?
Goofbucket #1: [Puts the water bottle down and closes his eyes because he knows the class will never let him live it down. Starts laughing.] Yes.
Me: When’s the last time you washed your mask????? [Asks because obviously 8th graders are gross and some of them wear the same mask every single day.]
Goofbucket #1: Yesterday.
Me: Thank god. [Finds my own mask getting wet from the laughing-so-hard-I’m-crying tears.]
*****I watched the wet circle on his mask slowly dry the rest of the block.*****
These Violent Delights (These Violent Delights #1) by Chloe Gong—published 2020—YAL fantasy/retellings—three stars: I have a love/hate relationship with retellings. I have an even stronger love/hate relationship with Romeo and Juliet. So a retelling of Romeo and Juliet set in Shanghai during the 1920s sounded torturous. Perfect! There’s even a water monster! And gangs! And Cabaret! A beautifully written first chapter starts the book, and Gong weaves in some of the play’s original motifs like day vs. night and birds. However, I couldn’t handle the fluff between the first chapter’s end and the book’s last twenty-two percent.
Enjoy the View (Moose Springs, Alaska #3) by Sarah Morgenthaler—published 2021—romance—four stars: Have I read the first two books in this series? No. But the cover and the blurb begged me to read it. The beginning confused me, but the storyline drew me in. River, a Hollywood actress who’s looking to make the switch to behind the camera, is on the side of a road hauling a suitcase of rocks on the outskirts of Moose Springs, Alaska, attempting to shoot footage for her documentary when Easton—gargantuan, bearded, and man-bunned—pulls over to offer her help. Furious that her shot is ruined, she enlists him to hold a pizza box sign that will deter other good samaritans from ruining footage. Sparks fly between the two. When the Alaskan Tourism board sidelines her documentary because she can’t get any filming permits signed because Moose Springs hates tourists, she takes her chances and her documentary outside the city limits and up a mountain, with a gargantuan, bearded, and man-bunned Easton as her guide. I had too much fun reading this. Easton and River’s banter was cute. A marmot thinks Easton is its soul mate and follows them up Mount Veil. Once my Libby queue dwindles, I’ll read the series’ first two books.
The Push by Ashley Audrain—published 2021—thriller—five stars: I never would have guessed that my first five-star 2021 read would be a thriller—but holy shit. The Push. Is. Sooooooooooo. Damn. Good. After giving birth to Violet, Blythe is unsettled by her little girl. Violet screams when in Blythe’s arms, and the baby’s father can only comfort the infant. As Violet grows, Blythe has an even harder time connecting with her precocious child, especially once she witnesses a tiny Violet do something maliciously unthinkable. While Blythe’s story unfolds, the story of her own mother and grandmother, both unmotherly women, is told. You will question Blythe’s sanity and capability as a mother. You will cry. At first glance, the novel doesn’t look well written. The sentences are short, but it’s for effect. It even says in the narrative: Before. After. After felt curt, my sentences abrupt and sharp, like every paragraph could hurt someone. There was so much anger on the page, but I didn’t know what else to do with it. This gave me We Need to Talk About Kevin vibes. READ THIS BOOK!
Faye, Faraway by Helen Fisher—published 2021—time travel—four stars: One day Faye, married to an aspiring vicar and the mother of two beautiful girls, steps into an old box, a relic from her past, in her attic to avoid broken glass, and she crash lands in the seventies at her childhood home. Getting the chance to see her mother again, who died mysteriously when Faye was 8, is a balm to Faye’s soul, but the time travel, which she feels like she can’t discuss with her husband, creates a rift in her marriage. Ultimately, Faye has to decide if she’s going to travel back one last time to save her mother or to leave the past behind to repair her marriage. Ohhhhh this book. I loved it so much, but I hated how Faye talked directly to the reader like she was trying to make the reader believe in her story. I believed her. The choice for the time travel portal to be a Space Hopper box was overkill in its blatant symbolism, too. But, damn—that ending had me misty-eyed.
The Ex Talk by Rachel Lynn Solomon—published 2021—romance—three stars: As an NPR freak, I loved that this book was set at a public radio station, but the storyline is meh. The radio station is floundering and needs a fresh show. That’s where Shay, a self-conscious-about-her-radio-voice producer, and Dominic, a hot-shot newbie who talks about his masters from Northwestern constantly, come in. Their snarky, hate-filled rapport inspires a show called The Ex Talk. As co-hosts, Dominic and Shay pretend to have dated each other (throwing journalistic integrity out the window into the Puget Sound) and explore the ins and outs of dating. I guess it’s a fresh take on fake-enships that run rampant in romances, but it wasn’t a particularly interesting read.
The Project by Courtney Summers—published 2021—YAL thriller—four stars: Is there another YAL thriller writer out there better than Courtney Summers? Summers, once again, writes a solid thriller. Cults? Mystery? Unlikeable characters? Cringe-y storylines? The Project has them all.
Make Up Break Up by Lily Menon—published 2021—romance—three stars: Why do I keep reading romances???? Both love interests meet at a conference in Vegas and have a steamy fling. Fast forward, and the boy’s company moves into an office next to the girl’s company’s office. She’s trying to launch an app called Make Up, and he has a newly successful app called Break Up. She accuses him of stealing her business idea, and, gah. You know what happens next. They make up, then they break up, then they make up.
From Blood and Ash (Blood and Ash #1) by Jennifer L. Armentrout—published 2020—new adult fantasy—four stars: Real talk. Yes, this is a four. No, I will not be reading the next book in the series. I’m over fluffy, drawn-out, commercial fantasy juggernauts. The Maiden, Poppy, is the Chosen One. Secluded and veiled, she must wait until the day she can Ascend to save her people. Throw in a secretive, sexy personal guard and vampires and, BAM, you get new adult fantasy dynamite.
This Close to Okay by Leesa Cross-Smith—published 2021—contemporary fiction—three stars: The title describes how I feel about the novel after I finished reading it, which is disappointing because it’s peppered with great writing. But the dialogue broke me. As did pumpkin overabundance. As did the whole there’s a therapist-who-rescues-a guy-from-jumping-off-a-bridge-and-then-lies-to-him-about-actually-being-a-therapist-and-then-brings-him-into-her-house-for-the-whole-weekend concept… HE COULD HAVE BEEN A SERIAL KILLER!!!!!!
You Have a Match by Emma Lord—published 2021—contemporary YAL—three stars: Abby gets her DNA tested through an Ancestry-like company as an act of solidarity with her best friend Leo, who is adopted and looking for clues about his birth parents. While Leo’s results are a wash, Abby discovers she has a sister. Her sister, Savvy, reaches out to her, and they try to unravel the mystery of their parents together while they spend time together at summer camp. Lord can write a damn cute story, but this was just too much. Leo and Savvy have known each other forever from attending the same summer camp. And Leo just so happens to be Abby’s best friend? In the book, it says Abby and Savvy’s story sounds like a Disney Channel movie, and it does—or at least a modern-day, Instagram-heavy The Parent Trap. And Savvy’s parents used to be best friends with Abby’s parents, which is THE mystery to be unlocked, but still… And without giving anything away, things were tooooooooo tied together at the end, and Lord, just like she did in Tweet Cute, wrote an unnecessary sugary-sweet epilogue, #deathtoYALepilogues. At least from reading this novel, I can add “Finsta” and “spon con” to my vernacular.
The Four Winds by Kristin Hannah—published 2021—historical fiction—three stars: I almost DNF’d this book at the 20 percent finished mark, but I kept reading because my bestie in Milwaukee said it had redeeming qualities. She also gave it three stars. The book is set during the Great Depression amidst the Dust Bowl, and Elsa Martinelli. Cannot. Catch. A. Freaking. Break. Sheltered, Elsa longs to go to college and feel pretty. When she breaks her family’s rules, she ends up pregnant and has to marry a man whom she desperately loves, but he doesn’t love her. She moves in with his family and raises their children. When times get even worse, the dust forces Elsa to leave Texas and head to California to save her family. Where do I start? Hannah’s writing style with this was mainstream, melodramatic, lackluster. A drunk Italian husband? Hello, trope. A fiery daughter who resents a mother who bends over backward for her family? Hello, trope. A thin blonde woman who thinks herself ugly and unlovable? Hello, what? (This was one of Milwaukee bestie’s criticisms.) Hannah harps on the drama here to exploit hardship after hardship. I had this same issue with Hanya Yanagihara’s A Little Life. Despite all this, it’s bingeable; otherwise, I would have ranked it two stars.
(All cover art taken from Goodreads.)
My students and I have been working on argumentative texts, and I swore on Facebook not too long ago that I would ensure my students would never forget how to evaluate an argument and a source.
So I turned to Google while lesson planning and discovered the CRAAP method for examining sources. All you have to do is ask yourself is this source CRAAP to analyze for currency, relevance, authority, accuracy, and purpose–and voila, the children remember how to evaluate a source! And they get to say CRAAP in the classroom, so it makes them feel like they can cuss but actually aren’t! Students love that cusp of danger feeling!
And my teacher soul radiated warm fuzzies every time I heard them say CRAAP while discussing texts about failure.
CRAAP never sounded so good! CRAAP was magic! They were learning! They would know forever how to evaluate a resource!
Well.
It backfired.
While my students did test corrections yesterday, I examined exit tickets that analyzed if a failure fluff piece from Medium.com was a compelling argument.
What did my students do in their formal writing???
Used the word CRAAP–EVERYWHERE.
I audibly groaned everytime I came across a sentence that said “this source isn’t CRAAP.”
Not only did they come up with incorrect answers (sigh, only like five kids said the source and the argument itself was crappy), they actually thought saying CRAAP in their writing was a brilliant idea!!!
After having done a badass job of teaching how to evaluate sources and arguments using articles about failure, I WAS AND AM THE FAILURE AND IT MADE ME FEEL CRAPPY.
Crap. Crap. Crap. Extra Crap.
What if they do that on their benchmark???? Or god forbid the LEAP test????
How do I get the CRAAP out of them?
Well, that sounded terrible, but you know what I mean!
Looks like they’re in for a crappy Tuesday because they’re going to be rewriting those exit tickets.
(Sidebar: When I looked at these same exit tickets, so many students kept referring to the author by his first name. I asked my fourth block why–because they fully know to use the author’s last name. Their response? His last name was too hard to spell so it was easier to use his first name.)
Now that I’m an in-person and at-home synchronous teaching master–HA–I forget to start my Google Meet at third block about half the time and occasionally talk while my microphone is on mute–I need help mastering ALL THE STUDENT CHEATING THAT IS HAPPENING ALL THE TIME BECAUSE THEY ARE ALWAYS ON THEIR DEVICES.
I miss paper. And pencils. And pens. And THINKING instead of Google searching and regurgitating whatever Spark Notes is telling them about symbolism in Shirley Jackson’s The Lottery.
I’m starting to wish that Google was never invented.
I’m so frustrated because some students’ grades are complete shams. Their grades aren’t reflective of their knowledge and ability. The grades are reflective of cheating and getting away with it.
It seems like all my digital resources have been compromised.
All of the answers to CommonLit assessments are readily available to students on Quizlet.
The state curriculum that we’re using is web-based. Want to guess how secure it is? Not very. Our unit test answers are plastered all over the internet.
I can’t lock a Google Form anymore because my 8th graders don’t have Chromebooks.
I gave the kids To Kill a Mockingbird before Christmas break to read on their own and a banana-ton of questions to answer as a test grade. It’s due in two weeks. Guess what some kids are doing? Googling the answers instead of reading the book. (In hindsight, this was a terrible assignment to give them.)
And now that I’m teaching at home virtual learners who are, for the most part, unsupervised while they’re at home all day, cheating is even more of an issue. And I could be mistaken, but I think some of my in-person learners are staying home on days when they have lots of tests and logging in virtually to class so they can cheat more easily.
And while we do have Impero as monitoring software, it’s only on school devices. Some of my students use two different devices, one for the Google Meet, and one for classwork, which is fine, but I can’t see what they’re doing on the other device. This also becomes problematic when I do give locked tests through Illuminate. (Also no lesson planning or grading gets done when the students are testing anymore because I have to watch what they’re doing like a hawk.)
End rambly semi-coherent rant.
Do y’all have any teacher hacks to help prevent cheating, especially during testing, in this digital classroom era? This teacher needs help!
Here are some of the things I already do:
Is it terrible that I delight in their looks of misery when they realize I’ve thwarted most of their reliable cheating methods? Give me more ideas so I can get my schadenfreude on!
But in all seriousness, I can’t believe that parents of in-person learners aren’t making more of a stink about how easy it is for at-home learners to cheat and ultimately get better grades.
Is there anything that parents and students hate more than grades not being fair?
January mini book reviews alert!!!!
Will My Cat Eat My Eyeballs?: And Other Questions About Dead Bodies by Caitlin Doughty–published 2020–nonfiction/science–four stars: Ummmmm, well, that was equal parts fascinating and horrifying. Did I need to know any of this dead body trivia? Nope! But now I’m as full of corpse facts as a cadaver is full of funky smells. Also, my mind is still reeling from now knowing that in Germany and Belgium graves are rented and that instead of eating eyeballs cats would more likely eat their dead owner’s noses or lips. I’m never looking at my already evil cat the same way again. From now on, I’ll be smearing orange essential oil (you know, because cats hate oranges) all over my body daily–in case I die an untimely death alone in my own home–in an attempt to repel my cat from feasting on my carcass.
A Reaper at the Gates (An Ember in the Ashes #3) by Sabaa Tahir–published 2018–YAL fantasy–four stars: I put off reading the third installment of this series because I was terrified it would disappoint me. IT DIDN’T! Now I finally understand the choice to have the Blood Shrike as a narrator, which I disliked in book two. And hello unpredictable plot twist!! Since the Nightbringer is brought in as a narrator in the last chapter, does that mean he’s going to have his own chapters in book four? Also, Elias–Is. Making. My. Darn. Heart. Hurt. I have so many questions.
Grown by Tiffany D. Jackson–published 2020–YAL mystery–four stars: Seventeen-year-old Enchanted wants to be a music star, and when uber-famous musician Korey Fields wants to take her under his wing to groom her, she convinces her parents to allow her to go on tour with him. The book begins with Korey’s murder and flashes back to Chanty’s story of being caught in his predatory snare. Did Chanty do it? I rounded up my rating for Grown. The plot is compelling and hits relevant criticisms of our racist, sexist society. There’s an R. Kelly/Jeffrey Epstein vibe to Korey, and Jessica is totally a more vengeful Ghislaine Maxwell. Parts are hard to swallow because of the ick factor, but it doesn’t get explicit. My main issue with this book and why it’s not a flat-out four is because I found it dialogue heavy with light narration. The dialogue felt cheesy too.
You Had Me at Hola by Alexis Daria–published 2020–romance–three stars: Jasmine, an up and coming Latinx soap opera star, lands a lead on Carmen in Charge, a telenovela on a big-name streaming service. When the actor originally slated to be her love interest falls through, he is replaced by Ashton Suárez, a dashing telenovela staple. After their meet-cute where Ashton spills coffee all over Jasmine on day one on set, Jasmine can’t deny that he’s unbelievably sexy and more than a little aloof. But before she knows it, their chemistry on screen and off has her “Leading Lady” plan all in a tailspin. I liked that this wasn’t first-person alternating chapters between Ashton and Jasmine. A third-person narrator slips in and out of both their minds throughout the narrative. I liked that this was different from any other romance I’ve read. A romance novel set on a Telenovela with a wide range of Latinx characters? Heck yeah! And it’s so steamy in places that I had to turn the fan on. It’s a fun read, but it lacks real substance and quality writing.
A Sky Beyond the Storm (An Ember in the Ashes #4) by Sabaa Tahir–published 2020–YAL fantasy–three stars: A disappointing end to the series. I’d like to chalk up my disinterest to being preoccupied, but the storyline had major gaps, particularly at the beginning. The cliffhangers were anticlimactic and pedestrian. When POVs switched, I couldn’t keep track of who was telling the story–because Laia, Helene, and Elias all read like the same character by the end. And the characters who were killed off? I didn’t even cry. And I should have, but they were obvious choices. I hated the last few chapters because things felt too perfectly wrapped up. After reading, I get the uneasy feeling that Tahir is planning to write a prequel featuring Keris’s story, even though all the Commandant’s loose ends were tied up.
How to Be an Antiracist by Ibram X. Kendi–published 2019–nonfiction/race–four stars: A fascinating argument. I liked how Kendi examined his own ideas about race and explained how his own thinking had been wrong.
People Like Her by Ellery Lloyd–published 2021–thriller–three stars: And my first published in 2021 read features…wait for it…an influencer who has a stalker! Didn’t I read four different variations of this book last year? Except this time, it’s set in England and features an Insta-mum and her has-been novelist husband…
The Last Wish (The Witcher, #0.5) by Andrzej Sapkowski–published 2007–fantasy–two stars: Can a girl Witcher wrong? I started with the book that should have appeared chronologically first, but ughhhh. It’s a whole bunch of long-ass short stories, so every time one would end, I felt like I needed to read a different book. The stories were confusing. This was originally published in the 90s in Polish. I don’t feel like it aged well. It’s pretty heavy on let’s-kill-lady-monsters in the first few stories. Is it any good on Netflix?
Magic Lessons (Practical Magic, #0.1) by Alice Hoffman–published 2020–historical fiction/fantasy–four stars: Can we just appoint Alice Hoffman witch laureate already? That’s a thing right? Get ready to find out how the Owens’s family curse began.
Cemetery Boys by Aiden Thomas–published 2020–YAL LGBT fantasy–three stars: Fifteen-year-old Latinx Yadriel, trans and gay, lives in a cemetery and can see ghosts. His father, head of the brujos, refuses to let Yads join their magical ranks because his father doesn’t think that the brujo’s magic will extend to Yadriel. When Yadriel’s cousin Miguel goes missing, Yadriel takes matters into his own hands and performs the rite of passage ceremony anyway with the help of his cousin Maritza. While searching for clues for Miguel, Yadriel summons another ghost Julian, a recently deceased boy of his own age who’s hyper and inquisitive, and promises Julian to help find out who murdered him. I wanted to love this book, but I anticipated the major twists.
Siri, Who Am I? by Sam Tschida–published 2021–romantic comedy–four stars: Apparently cracked screens are the new book jacket rage? Mia wakes up in a hospital bed with amnesia, but she’s donning a fantastic designer dress, so she figures she’s a big deal. Using Instagram and her boyfriend’s (who she hasn’t met yet and isn’t sure she trusts) housesitter as a guide, Mia sashays (bumbles?) her way into unlocking her true identity. In order to completely enjoy this book, disband your sense of reality. Its premise is pretty far out there, but I found it funny and lighthearted. It reminded me of Janet Evanovich’s Stephanie Plum novels, total guilty pleasure reads.
Bringing Down the Duke (A League of Extraordinary Women #1) by Evie Dunmore–published 2019 historical romance–four stars: A COMPLETELY ACCEPTABLE GENERIC BAND-AID TO SLAP OVER THE GAPING WOUND LEFT AFTER BINGEING AND FINISHING NAME BRAND BRIDGERTON.
Concrete Rose (The Hate U Give #0) by Angie Thomas–published 2021–YAL–four stars: Once 17-year-old Maverick (Starr’s daddy from The Hate U Give) finds out that he has a son, he struggles between cleaning up his act or continuing to deal drugs. I love that this is written from Mav’s first-person perspective. Overall, it’s not as well done as THUG–enough with cheesy dialogue in YAL already–but it’s still a great book.
(All cover art taken from Goodreads.)
Books I Quit:
Miss, take my hopeful heart and eat it à la carte. This part, this art, this ache. There's too much at stake. Stake it to your kiss. Stake it to your abyss. This. Miss, take it for my sake-- before you find out I'm a selfish rake. Eat it raw. Don't let it bake. Miss, take my hopeful heart-- before you realize it's a mistake.
If I were to open my MyChart app for you, you’d see a scary list of my illnesses: ulcerative colitis, fibromyalgia, Ménière’s, and IBS–to name a few. And while they sucketh harder than all marathons ever run collectively, most of my chronic issues are hidden beneath my cracked wide-open and bleeding (thanks visible psoriasis), painful to the touch most days (thanks invisible fibromyalgia), and purple-then-blue-then-white-then-red (thanks visible Raynaud’s) epidermis.
But if you were to open my classroom door and stay for a while, you’d see another of my afflictions (and I’m not talking about my very visible llama problem). While it doesn’t cause me any physical pain, the emotional distress it inflicts upon me makes me feel embarrassed and like a failure.
You’d expect this funny, vibrant, spunky, whimsical (if I do say so myself) English teacher to be downright eloquent, a blonde version of John Keating in Dead Poet’s Society, but, y’all–I. Hate. To. Read. Aloud. In. Class. Because. I. Fuck. It. Up—-so hard.
Why?
So how does this English teacher who hates to read aloud because she can’t spoken-word well cope? She relies heavily on audio versions of texts, and when she can’t find audio, she explains herself and asks for a little grace.
As a teacher, talk about your own struggles, issues, illnesses, etc., to normalize that it’s okay to discuss things that society would rather see swept under the rug. There’s nothing wrong with saying, “Hey, Mrs. Ram Jam is struggling today due to a fibro flare, so please excuse her as she tortures your eardrums while she reads this aloud to you.”
And answer their questions if they have any, and move on. Some of them will judge you, no matter what you say (or in my case how you say it), but you’d be surprised how forgiving students (and people in general) can be when you’re honest about your own limitations and invisible battles you might be fighting.
Pssssssstttttt.
You. Yes, you.
It’s time to hand in your self-bestowed grammar police badge.
Quit writing snarky posts about other people’s command of Standard English.
This past week, I encountered a Facebook post where the person said that a major percentage of social media users needed remedial English classes.
Normally I would just keep on scrolling, but I stopped and made a comment because, oh the irony, the post had errors within it. I softened the blow with “Would you hate me forever if I…” and then proceeded to point out that sentences should never start with numerals (and patted myself on the back for not also pointing out that he should be using one space instead of two after a period). He responded with a sentence where nearly every word was used incorrectly and that he would have never guessed that I would have been so offended by numerals. I “haha”-ed his comment, but the original post still left a sour taste in my mouth.
I saw multiple posts last week decrying, “It’s the Capitol Building–not the capital building facepalm emoji.”
And posts about the differences among there, their, and they’re will probably never go out of grammar shaming vogue.
Because I am the grammar police, like have gotten paid for 15 years to read terrible writing by middle schoolers and high schoolers, let me let you in on a little secret—your weird sense of pride in being better at syntax, capitalization, and spelling than your peers makes me uncomfortable. Does pointing out grammar mistakes make you feel better about yourself? Are you trying to belittle the point the other person is trying to make? Do you recognize that your behavior is more than a little elitist?
First of all. It’s social media. Get over it. People don’t capitalize proper nouns and punctuation is optional. Who cares if someone you haven’t seen since high school uses its when they mean to use it’s?
Autocorrect and predictive texts can ruin comments too. Have a little grace.
Some people give zero fucks about proofreading.
I diligently proofread, and errors still make their way onto Facebook. And on my blog–even after several reads, merry-go-rounds of spell checks, etc. I’m my own editor because I’m not paying anybody to do it and trying to solicit your friends to proofread something is akin to asking them for money that they know you’ll never pay back. It’s way easier to point out errors in someone else’s writing than your own. Having this blog has humbled my grammar policing because I know how hard it is to produce an error-free piece of writing. I am thrilled when I go back after a few weeks to revisit a post and realize there are no typos.
Some people write how they speak, particularly in informal writing, and there is nothing wrong with the way that ANYBODY speaks. When you are mocking the way a person is writing, you might be mocking how they talk, and now you’re inadvertently casting judgements about spoken language. There is nothing wrong with anybody’s dialect of English.
Go pick up any work of fiction. ANY WORK OF FICTION. Run-on sentences and fragments abound. Commas are used whenever the author wants to use the little guy. Hell, I’ve even read books where there are no quotation marks for dialogue. Language rules are meant to be broken.
Learning those Standard English rules are freaking hard. And while you might have mastered them, lots of people haven’t. And who knows if Twitter Thomas was even taught them after elementary school.
Let’s throw it back twenty years. How much writing by your friends were you seeing daily? Maybe something on AIM, but nowhere near the amount you’re consuming now. Twenty years ago, you wouldn’t have been making these judgements about other people’s writing because you wouldn’t have even been exposed to it.
You know what I look for anymore as an English teacher–meaning. If I sat and marked every knowledge of language and conventions error on every big writing assignment that I gave my students, I WOULD NEVER FINISH GRADING THEM. EVER. I ask myself, do these sentences make sense? Do I understand the point the student is trying to make? I pretty much only point out sentence construction issues because meaning will always be more important than modifiers being misplaced, words being left out, and misspelled words–especially since most writing is timed anymore. Our rubrics don’t even place that much emphasis on grammar anymore because meaning IS more important.
When’s the last time you took a look at “The Declaration of Independence”? There. Are. Common. Nouns. Capitalized. Throughout. Its. Entirety. Thomas Jefferson himself capitalized words to the beat of his own founding-father’s heart.
So ask yourself, do I know what my fourth cousin’s husband meant when he wrote a post about killing the Biggest Buck of his life or are you going to let those capital Bs ruin your day? He’s probably just using them for emphasis. And killing an 18-pointer is freaking badass. I’d be capitalizing the shit out of that post too. And if he spells it dear instead of deer? Take a page out of Elsa’s book and let it doe. (Let it doe! Let it doe!)
I’ll leave a box out on my sticky-note strewn teacher’s desk. I expect your imaginary grammar police badge to be in it by the end of the day, or I’m going to have to write you up for being MEAN instead of looking for MEANING. Hopefully my student-given sign sitting atop my desk that reads World’s Goodest Teacher makes you pause in humor and not contempt on your way out.
(But also, if you find any typos in this–HELP A GIRL OUT!)
Mrs. Ram's Jams 